| Lavish
Praise for the College's Top Students
Communicating with Their Feet
Another Win for Mathematics
Dante from Two Perspectives
Howard Named Divisional Dean
Student Art Enriches the Neighborhood--Permanently
Lavish Praise for
the College's Top Students
Faculty aren’t
prone to gushing about their students. They rarely use words like
“brilliant” “remarkable” and “extraordinary”
to describe an undergraduate’s work. But ask them about the
College of Arts and Sciences’ Dean’s Medalists for 2005
and such superlatives come fast and furious.
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Dean’s
Medalists (from left) Jared Silva, Colleen Melody, and Anne
Saliceti-Collins. Medalist Kathleen Belew was abroad on
a Bonderman Fellowship when this photo was taken. Photo
by Nancy Joseph. |
The Dean’s Medal
is presented to four undergraduates each year, one from each of
the College’s four divisions: arts, humanities, social sciences,
and natural sciences. The students are selected on the basis of
grade point average, difficulty of their courses, and faculty recommendations.
That’s where those superlatives come in.
In his recommendation
for Jared Silva, Dean’s Medalist in the Natural
Sciences, chemistry professor D. Michael Heinekey describes him
as “a young man of extraordinary gifts and unlimited potential.”
Silva worked in Heinekey’s research laboratory for two years,
with "accomplishments in research [that] place him at the level
of a strong second- or third- year graduate student,” says
Heinekey.
Silva, with degrees
in biochemistry
and chemistry,
also served as a mentor at the Chemistry Study Center, an undergraduate
teaching assistant, and a contributing writer for the UW student
newspaper, The Daily. A Goldwater and Churchill Scholar, he heads
for Cambridge University in the fall and will continue his studies
at MIT.
Kathleen Belew,
Dean’s Medalist in the Humanities, probably crossed paths
with Silva at The Daily, where she worked in various capacities
beginning in 2001. A Comparative
History of Ideas (CHID) major, Belew mentored other undergraduates
as a peer facilitator, collaborated in the creation and teaching
of an undergraduate colloquium, and led community outreach efforts.
“Kathleen is driven
by an ethical seriousness and concern that can be tangibly sensed
in everything she does,” says John Toews, director of CHID.
Kari Tupper, Belew’s undergraduate thesis advisor, adds that
Belew’s thesis “is the most ambitious undergraduate
thesis I have ever supervised, and indeed it exceeds any master’s
theses I have overseen.”
Belew has received Jacob
Javits and Bonderman Fellowships and will continue her studies at
Yale University.
Anne Saliceti-Collins,
Dean’s Medalist in the Arts, earned degrees in art
history and comparative
literature. Fluent in French and Italian—the native languages
of Corsica, where she was raised—she taught French at L’Alliance
Française de Seattle to support herself as an undergraduate.
Now a UW graduate student studying Chinese art, she recently completed
a highly competitive internship at the Seattle Asian Art Museum.
“Anne is an engaged
and engaging student,” says art history professor Cynthea
Bogel, noting that professors throughout the department have “commented
that her papers were consistently the best in their seminars.”
Colleen Melody,
Dean’s Medalist in the Social Sciences, earned degrees in
both Spanish
and Law, Societies,
and Justice (LSJ). “She took all of the most challenging
courses, never giving a thought to the demands at stake or possible
implications for her grades,” says Michael McCann, director
of LSJ. Melody still managed a 3.95 grade-point average, while volunteering
for non-profits— including an immigrant worker rights group—throughout
her years at the UW and working 25-30 hours a week to pay for school.
She plans to pursue a career in immigration law.
McCann’s final
words about Melody aptly describe all of the College’s medalists.
Melody, he says, is “an extraordinary young person who represents
the very best of our student body.”
Communicating
with Their Feet
When the Department
of Communication seeks more funding for graduate students, it
hits the streets. Or, more accurately, the path at Green Lake.
The department holds
an annual event, the Laura Crowell Fund Run, with participants seeking
pledges of support from faculty, family, friends, and local businesses.
This year the run netted $4,700—its largest total to date.
The proceeds will be added to the Laura Crowell Fund. Named for
a much-admired professor (now deceased), the fund supports graduate
student travel to professional conferences, which are critical to
career development.
The event also benefits
undergraduates. Four serve as interns, gaining valuable experience
as they handle all event-related tasks including marketing, timeline,
budget, posters, T-shirt design, and sponsorships.
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Interns Cristina Brendicke, Dana Love, Dylan King, and Stephany
Rochon (from left) sported Crowell Fund Run t-shirts on the
day of the event. |
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“The undergraduates
design the event and get internship credit for their work,”
says Jerry Baldasty, chair of the department. “It teaches
them how to think about event planning and all that goes into it—so
it is a very applied communication internship. There are logistics
and organization, of course, but also careful attention to how to
craft our message.”
The internship appealed
to Cristina Brendicke, a senior majoring in communication, because
“I really like the idea of taking on a project from start
to finish,” she explains. “We were in charge of doing
everything. The only thing that was selected for us was the date.”
Brendicke and the other
interns—Dylan King, Dana Love, and Stephany Rochan —
saw the event as an opportunity to build a sense of community. They
created a team competition for the graduate students, with the winning
team (as well as individuals raising the most funds) receiving a
prize basket of goodies donated by local businesses.
The interns, with guidance
from the department’s outreach coordinator, Victoria Sprang,
and graduate student liaison April Peterson, had all details finalized
by the day of the event. But there was one variable they could not
control: the weather.
The rain was relentless
on the eve of the event, continuing through the morning. But the
weather cleared as more than 40 participants, mostly graduate students
and faculty, began the run. They were rewarded for their efforts
with a hearty lunch— donated, of course.
Among the participants
was Baldasty. “I walked,” he admits. “My knees
are not good enough to run. But of course I was there—and
I sponsored some of the graduate students. This event is about raising
money, but is much more than that. It is also about creating a community
of people.”
Another
Win for Mathematics
In what is becoming a
tradition for the Department
of Mathematics, a team of undergraduates coached by Professor
Jim Morrow has once again taken top honors in a highly competitive
global math competition.
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UW
math competition team members (from left) Ryan Bressler,
Christina Polwarth, and Braxton Osting with their coach,
Jim Morrow. Photo by Rob Harrill.. |
This is the fifth such
win for Morrow’s teams in four years in the annual Mathematical
Contest in Modeling, sponsored by the Consortium for Mathematics
and its Applications. Of 828 teams competing, the UW team was one
of just 13 judged as “Outstanding Winners.” The UW students
also received an award from the Institute for Operations Research
and Industrial and Applied Mathematics, given to the best of the
winning groups.
The students—Braxton
Osting, Christina Polwarth, and Ryan Bressler—had 96 hours
to choose one of two problems posted on the web, devise a solution,
write it up, and submit it. The problem they chose involved modeling
flooding downstream if the earthen dam that forms Lake Murray in
central South Carolina fails during a catastrophic earthquake.
Why choose that problem?
“Part of it, I think, was so we could refer to it as ‘the
damn problem,’” quips Bressler, adding that the problem
seemed more challenging, which appealed to the team.
Those interested in
reading the team’s winning solution can find it on Morrow’s
website.
Dante
from Two Perspectives
Sometimes a great idea takes a while to percolate.
Donna Yowell and Mary
O’Neil had “talked on and off over the years”
about
co-teaching a course on Dante Alighieri’s Comedy.
This spring they finally did it.
The course, “Medieval Man in the New Millennium,” was
offered as a Danz Course in the Humanities, intended to whet the
imaginations of freshmen who might not otherwise experience Dante’s
masterpiece.
“Dante, the greatest
poet of the Middle Ages, speaks across the centuries
to the anxieties, fears, and hopes of twenty-first century readers,”
explains Yowell,
senior lecturer in French
and Italian Studies. “In the course, we studied Dante’s
Comedy as both a compendium of medieval thought and a paradoxically
modern poem.”
Yowell had taught Dante
for years before co-teaching the course with O’Neil, associate
professor in the Department
of History. “I thought it would be interesting to teach
Dante differently,” she says, “giving equal weight to
history, which is not something I tend to do. The great exercise
for me was letting go of some of the ways I usually teach the course
to make room to enrich it in this new way.”
Yowell and O’Neil
readily admit that their approaches are quite different. “I’m
always trying to simplify things,” says O’Neil. “And
I’m always trying to complicate them,” adds Yowell,
with a laugh. “Which is good,” says O’Neil. “Students
need both broad interpretive themes and a sense of nuance.”
What the two share is
a fascination with Dante’s work. To bring his poetry to life
for the 140 students in their lecture class, they frequently tapped
into the timeless—and timely—themes in the work.
“Dante provides
a vivid commentary on the divisiveness and possibilities of politics,
the agony of civil wars, the corruption of the Papacy, the failures
of Empire, and hopes for a new world order,” says Yowell.
“He insists on the separation of spiritual and political powers.
It’s obviously a timely text.”
While Yowell highlighted
Comedy’s connection with current events, O’Neil
emphasized its historical roots. “My goal was to pull us back
into the past,” she says. O’Neil discussed the politics
of Dante’s time and provided an historical perspective
on the concept of hell and purgatory.
“Dante’s
is the first fully developed literary treatment of purgatory,”
she says. “Students are often surprised that such basic ideas
have a history and have changed over time. Seeing things historically
is more difficult.”
Given the complexity
of Comedy, is it perhaps too ambitious a subject for freshmen
in a 100-level course?
“We tell them
at the beginning of the course, ‘The goal is not to feel comfortable
and confident reading this poem,’” admits Yowell. “700
years later, no one does. The poem requires you to interpret and
at the same time resists interpretation. That can be very daunting
for freshmen, but it is a challenging and provocative work that
invites students to question their own assumptions.”
Howard Named Divisional Dean
When Judith Howard arrived on campus in 1982, freshly minted PhD
in hand, she was thrilled to have landed her “dream job”
as a UW sociology professor. Her teaching and research have since
focused on social psychology, particularly the role of race, gender,
class, and sexuality in shaping social interactions.
Now Howard is taking
on a new challenge. In September, she will join the A&S Dean’s
Office as divisional dean of social sciences.
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Judy
Howard.Photo by Kathy Sauber. |
This is not Howard’s
first administrative job. She has twice served as the Sociology
Department’s director of graduate programs—earning
a 2001 UW Distinguished
Graduate Mentor Award for her efforts—and has been a member
of the College of Arts and Sciences’ College Council. She
is currently chair of the Department
of Women Studies.
“Social Sciences
is a really fine division with some phenomenal leadership and great
recent hires,” says Howard. “There’s a lot of
good energy. I look forward to closer relationships and collaborations
across the division. I hope to be a facilitator who will match good
opportunities with people who might be interested in them.”
Howard begins her new
job in September. Until then? Lots of lunches.
“The summer will
be a time to learn more about the departments in the division,”
says Howard, “and I expect to be having lunch meetings with
all of the chairs.”
Student
Art Enriches the Neighborhood--Permanently
When UW undergraduates began creating public artworks through the
School of Art’s newly created public
art program in 1999, most installations were temporary. Not
anymore. Since last fall, students in the program’s design/build
course have created permanent artworks for Campus Parkway, University
Way, and—most recently— a campus site near Mary Gates
Hall.
The Campus Parkway project
(between University Way and 15th Avenue NE), celebrates community
activism. Commissioned by the Seattle Department of Transportation
and the University District Chamber of Commerce, the work includes
steel benches, a podium, and tables—one upright, the other
overturned — that bear quotes related to political protest.
John F. Kennedy, WTO protestors, Confucius, and Mahatma Gandhi are
among those quoted.
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| Artworks
featuring a yellow pepper and a shadow puppet reflect their
respective sponsors, the University District Farmers Market
and La Tienda, a store with international crafts. Photos
by Nancy Joseph. |
Impressed by the quality
of the project, the University District Chamber of Commerce approached
Professor John Young, who taught the design/build course, about
another commission for his next class: three-dimensional artworks
for light poles along University Way, to be installed in frames
originally designed for hanging banners.
“Each artwork is
sponsored by a different business on the Ave,” says Young.
“The student creating each work had to interview the ‘patron’
and create a work that was expressive of both the client and the
student. And it could not be advertising.”
The 21 students in the
class created 31 artworks, ranging from humorous to thought provoking.
An artwork sponsored by Wells Fargo Bank features a treasure chest
with roots spreading from its base. One sponsored by University
Book Store features a book with loose pages spiraling skyward. “Since
these are ten feet up on a pole, with people passing by quickly,
the boldest and simplest artworks have tended to be the most successful,”
says Young.
The latest commission,
sited on campus, is also bold. But its message—and its inspiration—is
considerably more complex.
The impetus for the project
began as a response to a recently installed sculpture of 1960s Husky
football coach Jim Owens near Hec Ed Pavilion. Although Owens was
beloved by many, troubling questions remain about his treatment
of African American athletes during his years as coach. Distressed
by the surprise tribute to Owens, a group of students shared their
concerns with the UW administration. The students’ tenacity
eventually led to a $50,000 commission from the UW Office of Development
for a sculpture about diversity, created through Young’s public
art course.
Central to the sculpture
is a seating area created with large and varied rocks, shaped to
suggest an enormous ear. Across from the structure is a stone cube.
“The students found an image of a Filipino native who was
brought to campus during the 1909 Alaska-Pacific-Yukon Exposition
and displayed on a block as a curiosity,” explains Young.
“The students recreated the block to gently refer to that.
And the ear is to hear the history of this block. It’s all
about listening to different voices.”
The artwork was created
collaboratively by the 30 students in Young’s spring quarter
class. Most were students of color, and half had little or no previous
art background.
“That was the
big challenge—to get them to create public art without losing
their fingers,” says Young. “But they had great ideas
and were impassioned. That’s what is most important, and it
comes through in the artwork.”
[Summer 2005 - Table of Contents]
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