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Teresa Cheng, Producer, DreamWorks Animation (BA, Communication, 1979),
Teresa Cheng has more than 20 years of production experience on animation projects that include Shrek Forever After, Shrek the Halls, Madagascar, The Madagascar Penguins in a Christmas Caper, and Spirit: Stallion of the Cimarron. She is currently consulting on the startup of Oriental DreamWorks in Shanghai. Read Teresa Cheng's Q&A. |
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Sean Porter, Cinematographer
(BA, General Studies, 2004)
Cinematographer Sean Porter recently photographed the indie drama Eden, which won the Audience Award at SXSW, and Grassroots, starring Jason Biggs and Lauren Ambrose. His latest film, It Felt Like Love, premiered at Sundance 2013.
Read Sean Porter's Q&A. |
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Marcella Ernest, Filmmaker (MA, Communication/Native Voices, 2007)
Ernest
describes her films—which have screened at New York's Museum of Modern Art and Design, the Smithsonian National Museum of the American Indian, and the Seattle International Film Festival—as "documentaries, but within a non-linear experimental approach to both the visual and sound."
Read Marcella Ernest's Q&A. |
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Matthew Salton, Video Editor and Filmmaker (BA, CHID and BFA, DXARTS, 2008)
Salton
has spent the last seven years producing film projects ranging from music films to documentaries to shorts. His first feature length effort, Dwarves Kingdom, was filmed in China and will be released in 2013.
Read Matthew Salton's Q&A. |
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Ron Simons, Founder, SimonSays Productions (MFA, Acting, 2001)
Simons
created his production company to develop stories "that dig deeply into the outsider's struggle for dignity and acceptance." The company's first two films, Night Catches Us and Gun Hill Road were Sundance favorites, with the latter selected as a Sundance Grand Jury nominee. Blue Caprice and Mother of George screened at Sundance 2013. |
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Loren Carpenter, Co-Founder, Pixar Animation Studios
(BS, Mathematics, 1974; MS, Computer Science, 1976)
Carpenter
invented the Reyes algorithm, which renders all of Pixar's movies. His presentation of the computer-generated film Vol Libre at a 1980 conference led to a job at Lucasfilm's Computer Division, which would later become Pixar. He has received Academy Awards for scientific and engineering achievement in software for visual effects and an Oscar statuette for fundamental discoveries in rendering.
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